TILT - THE SAATCHI 10
Another of my favorite sculptures from MONA's Pontiac years (2004-2014) by British artist Toby Christian. The exhibition was the Saatchi 10.
The piece was comprised simply of a small porcelain prop under the corner of a pedestal.
http://www.tobychristian.com/
THE SAATCHI 10 - February 2010
From over 100,000 international artists at Charles Saatchi's Online Gallery, ten were chosen as the "best" over the last week in October 2009. These ten were selected by Mme. X, an author, art critic and assistant curator in London. Cesar Marzetti, chief curator at the Museum of New Art, has now curated these ten artists into an exhibition of their own.
*Mme. X is an author, art critic and a curator. Formerly assistant curator at _________ Art Gallery, she is now assistant curator at the _______ of _____________ _____, London. She is a regular contributor to ______ ____ and recently co-authored (with _____ ______) 'The _____________ ____ ______'.
* Madame X can now be revealed was Charlotte Bonham-Carter, a writer, curator and lecturer. She currently works as Curator of Art on the Underground and is Associate Professor of Art History and Visual Culture at Richmond University, London. She is regular contributor to Art in America and Flash Art, and author of The Contemporary Art Book (Goodman, 2009).
Charles Saatchi is arguably the most important art collector in the world. He can make or break an artist's career by merely dropping his hat. Saatchi Online was launched in 2006. The website currently has over 100,000 artist’s profiles and receives over 68 million hits a day. It provides a free platform enabling artists to promote their work to a global audience.
Although lauded and celebrated from cyber-space, this small group of Saatchi’s best artists was never intended for a real exhibition. It’s a virtual world we’re living, after all. And how can anyone create a dialogue between art that was chosen on merit, yes, but without true thread or any other "real" connect?
Eager to conflate these distinctions between a labored exhibition and random pairings, Cesar Marzetti immediately grabbed at the opportunity to curate just such a show for the Museum of New Art: “In the end, all of art hinges on a twist of expectations.”
Hans Arp ripped up his drawings, threw them in the air and glued the fragments on a piece of paper in the order they hit the floor. Tristan Tzara composed poems by picking words from a hat. William S. Burroughs invented the cut-up technique: the random rearrangement of text in order to decode it's hidden meaning. "From my point of view there is no such thing as coincidence," Marzetti flatly states. "All of art is an accident. And each of these ten are just that - an accident waiting to happen."
Charles Saatchi seems to agree:
"The art world is dominated in people's minds by the thousand artists that are very successful, that are handled by the top 50 dealers around the world. They're the ones that get all the attention, but the real art world is hundreds of thousands of artists around the world who don't have dealers and are pretty much unrepresented."
"I see some very talented artists among these and I'm pretty sure many on the site are going to be some of the big names in five, six or seven years' time," Saatchi predicts.
Nelda Gilliam
Alex Burdiak
Suse Bauer
Maya Pottenkulam
Toby Christian
Mandy Williams
Jef Bourgeau
Megan Jacobs
Julia Townsend
www.detroitmona.wix.com/mona
